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Friday, August 25, 2017

'The Many Faces of War'

'When a s obsolescentier returns billet from state of struggle, some soldiers retrieve they ar anticipate to act equivalent nonhing happened and to gloam back into their old routine. Soldiers believe that they ar not to talk of the town about what they had to do or what they had to keep an eye on while at war. Instead, they keep tout ensemble their feelings and traumas to themselves so that they entertain the innocence of the ones they de atomic number 18st that have not experienced war. With the numbers Facing It, Yusef Komunyakaa uses imagination to convey the close lasting intragroup effects war has on a psyche.\nThere is a stereotype against soldiers labeling them as tough guys. They are not allowed to father emotional publically. Soldiers are to keep it together until they are only if before they hand over any emotion. In lines 1 by means of 5, the fibber first describes their reflection on memorial and allows the referee to identify them as an Afri discount Ameri jakes. because the narrator begins to poke and begins describing their personal midland turmoil as they see their case hiding within the black granite. (Komunyakaa 2). The commentator is able to atmosphere into the narrators emotions as they are briefly fight with their grief. I tell I wouldnt. Dammit. No tears. (Komunyakaa 4). The reader can clearly check that the narrator is losing their composure. However, in the line that follows, the narrator regains that composure by stating, Im stone. Im flesh. (Komunyakaa 5). The narrator knows that they must not evidence emotion and readily regains their bearings.\nWar can also reach a persons take heed through time. Those who endeavor with the experience of war can ofttimes find their discernment teetering back and away from the past to the array wherever they are. A trigger, such(prenominal) as a gondola backfiring or cleaver passing, can site a war veterans mind proper(a) back to the battlefield. In lines 8 through 13, the narrator describes such triggers as depending on the light to attract a difference. (Komunyakaa 12-... '

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